publishing
You may download copies of my published articles and reviews of my scholarship. All publications are copyrighted as the sole property of the author or Kate Sampsell-Willmann unless otherwise claimed by publisher.
Kate Sampsell-Willmann in the news:
AAUP: http://www.aaupnet.org/librarybooks/700-799The.html
The Peninsula (Qatar): http://archive.thepeninsulaqatar.com/component/content/article/349-qatar-newsarchive/99784.html
Gulf Times (Qatar): http://www.gulf-times.com/site/topics/article.asp?cu_no=2&item_no=135623&version=1&template_id=36&parent_id=16
Georgetown: http://explore.georgetown.edu/news/?ID=23592
Center for International and Regional Studies (Qatar): http://cirs.georgetown.edu/events/culturalevent/104767.html
Duke: http://www.law.duke.edu/cspd/publicdomainday/whyitmatters
Reviews of Lewis Hine as Social Critic:
Martha A. Sandweiss for The American Historical Review (download .pdf): I get the feeling that Prof. Sandweiss didn’t read the book but relied on the (admittedly) weak introduction and flipping through the pictures.
F. Jack Hurley for The Journal of American History (download .pdf)
Leslie Ureña for Photo-Eye Magazine (download .pdf)
Scotty Kirkland for the Alabama Press-Register (download .pdf)
Publications:
Book:
Lewis Hine as Social Critic (Jackson: Univ. Press of Mississippi, 2009).
Book Chapters:
Kate Sampsell, “Cloning: The Future is Burdened by its Past,” in Gloria Benson, ed. History Behind the Headlines (GALE, 2003), 76–85: (download .pdf).
Peer-Reviewed Papers:
Kate Sampsell-Willmann, “Lewis Hine, Ellis Island, and Pragmatism: Photographs as Lived Experience,” Journal of the Gilded Age and Progressive Era 7:2 (Apr. 2008): 221–52. This is an uncorrected proof: (download .pdf).
For citation, please see the published version, here: http://www.historycooperative.org/journals/jga/7.2/willmann.html
Kate Sampsell, “‘Three Generations of Grass’: Photography, Liberalism, and the Myth of the American Yeoman,” History of Photography 27:4 (winter 2003): 333–41.
Conference Papers and Lectures:
“‘Making Human Junk’: Lewis Hine’s Photomontage”
Fifth Mediterranean Congress of Aesthetics: “Art, Emotion, and Value” Jul. 2011
Cartagena, Spain
“Lewis Hine and the Birth of Social Documentary Photography: The Pittsburgh Survey”
Conference paper: British Association of American Studies Apr. 2009
University of Nottingham, England
“Secular Sinners: Lewis Hine and Photographing the Social Gospel”
Conference paper: Organization of American Historians Apr. 2006
Washington, D.C.
“‘Still Living in the Old Slave-Days’: Investigation, Persuasion, and Chain Gangs
in the Depression-Era South”
Conference paper: Organization of American Historians Mar. 2004
Boston
“Photography in America: Picturing a Republic”
Guest Lecturer: Turkish American Association Mar. 2003
Ankara, Turkey
“Lewis W. Hine and the Social Documentary Aesthetic”
Guest Lecturer: Department of Art History and Archaeology Dec. 2002
Bilkent University
“Lewis Hine and ‘The Moral Equivalent of War’: Photography as Toil”
Conference paper: American Studies Association Nov. 2002
Houston, Texas
“‘Three Generations of Grass’: Photography, Liberalism, and the American Yeoman”
Conference paper: Organization of American Historians Apr. 2002
Washington, D.C.
“‘Democracy is Radical’: Internationalism, Spain, and the Intellectual Evolution of the
American Left”
Conference paper: Soc. of Historians of American Foreign Relations (SHAFR) Jun. 2001
American University, Washington, D.C.
“Who’s Afraid of Henry R. Luce?: Photography and The Cultural Front”
Conference paper: Phi Alpha Theta Regional Conference, First Prize
University of Maryland Baltimore County Apr. 2000